https://daniellegarrison.com www.daniellegarrison.com Mon, 14 Oct 2019 20:25:40 +0000 https://daniellegarrison.com en http://daniellegarrison.com/Headshot Mon, 14 Oct 2019 20:25:40 +0000 www.daniellegarrison.com 343743 Back to home photo by Nina Reed <img width="2470" height="3458" width_o="2470" height_o="3458" src_o="https://cortex.persona.co/t/original/i/8f29444a0d1accc6b9c49af860c6bc2d10912d657d70535a5800578d9f365f4d/Garrison_Headshot.jpg" data-mid="795718" border="0" /> Back to home photo by Nina Reed http://daniellegarrison.com/Selected-Works-Reel Wed, 19 Jun 2019 20:12:59 +0000 www.daniellegarrison.com 328225 return to home&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Selected Works Reel by Danielle Garrison &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Includes the following choreographies by Danielle Garrison:Tethered, 2018 La Grainerie Residency Toulouse, France Film Collaboration with Franck Gonnaud and David AllenResponse to La Dépêche article "Un Suicide par Heure en France."Liminal, 2017&nbsp; Aerial Dance Festival Boulder, Colorado How do we push, suppress, support each other? How can we feel the "other" in all of the complexities of our humanness? We are penetrating the threshold of redefining our non-embodied interactions. les Essais, 2018 Le Lido Toulouse, France Experiment with audience interaction. The audience became performers and decided how we would be seen, creating a responsive relationship.Ethered and Tethered: a liminal space, 2019&nbsp; installation&nbsp; Boulder, Colorado The potential of merging aerial arts and media technologies was to re-find touch in our changing relationship with grief in a post-touch era. &nbsp;return to home&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; return to home&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Selected Works Reel by Danielle Garrison &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;... http://daniellegarrison.com/Portfolio Sun, 31 Mar 2019 00:07:20 +0000 www.daniellegarrison.com 317829 Back to homePortfolio &nbsp;<img width="612" height="792" width_o="612" height_o="792" src_o="https://cortex.persona.co/t/original/i/88da70f6b75cd235f73a32637a9425e8938bfab53c0564a62d948cebba7eab57/1.jpg" data-mid="1434164" border="0" /> &nbsp;<img width="612" height="792" width_o="612" height_o="792" 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src_o="https://cortex.persona.co/t/original/i/505852cb7fbf276eed2dc72845dbf79ecf04034fa3f6ddb203861e51afd10f92/P25.jpg" data-mid="728635" border="0" data-scale="77"/><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/08a57c30408df8558f09ec20557024d5c5d29153a8e6845eea3b672345870a22/P26.jpg" data-mid="728655" border="0" data-scale="77"/><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/81da18812044237e3f5bdcff52e0b267b30d0f6b210f445ccf776c2043a9d445/P27.jpg" data-mid="728656" border="0" data-scale="77"/><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/914234d9f06c8630dcb954884504d79ea46c5eff461c52d083c1f34a0f906677/P28.jpg" data-mid="728676" border="0" data-scale="77"/> Back to home Back to homePortfolio &nbsp; &nbsp; &nbsp;&nbsp; Back to home http://daniellegarrison.com/Published-Paper Sun, 31 Mar 2019 00:07:07 +0000 www.daniellegarrison.com 317828 return to home<img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/b8401c9a2ad0a33021a4ccf79c29a199b012984e8756177fc4acb0abc333b0c3/Garrison22_Atiner-Publication1_Realigning-Vertical-Dance-on-a-Horizontal-Continuum-.jpg" data-mid="677255" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/34f70e0f1f0986f56c61492f5e7963e1ab6d8ed877f2ac3a5d4c0db943cf6448/Atiner2.jpg" data-mid="677244" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/9fa90695bc3368461f71aa528385910468f4e468aeb7cce0bd91274f9da2d92e/atiner3.jpg" data-mid="677246" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/72f6f8891bca38f1663a8a7cd74e079f7c2fd0299a9dc8dda4f9c31e21acd5d9/atiner4.jpg" data-mid="677245" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/e9690241a2575f94d62ed309232aaea3046b19d4e2ae7247ad1965d4eb0df87e/atiner5.jpg" data-mid="677253" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/c30fe60d1e916c904e604a691fdbac791fd15416c91c4810bf5d7a98dac9e378/atiner6.jpg" data-mid="677247" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/fb6a5684d631ee4a5d226c2f84914b624d85076016f9742fcaa525f41ff88c78/Garrison_Atiner-Publication_Realigning-Vertical-Dance-on-a-Horizontal-Continuum-.jpg" data-mid="677242" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/b6e98dbb22dc91c52b8fdb6c0ef82ad8c3f07a99fe8c1fec2ff3ebbe851ac5ea/atiner-8.jpg" data-mid="677243" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/7af26f31a749738cc5f31c9c046b1cdedac945486a54daead282b3cd356f4778/atiner9.jpg" data-mid="677248" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/ba001e0dbbe98c2a76bbaabc308be6b847a6cd03d8b34e77f4b9a61c9f98ce17/atiner10.jpg" data-mid="677249" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/2d75ee94eba3aec1f05231e0cedbe17ddd1720f582846417be716784a5d37df1/atiner11.jpg" data-mid="677250" border="0" /><img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/60e88987d750cb536a5b5e461b3cfa0ad9dc9814e5518c8d92f6211a5cf0ec90/atiner12.jpg" data-mid="677251" border="0" /> <img width="1275" height="1650" width_o="1275" height_o="1650" src_o="https://cortex.persona.co/t/original/i/6e470dcbbcc0850655e32a36e4de7c8032e329b89d0a30673380d9557fa22a3e/atiner13.jpg" data-mid="677252" border="0" />return to home return to home return to home http://daniellegarrison.com/Philosophies Sat, 30 Mar 2019 20:16:03 +0000 www.daniellegarrison.com 317814 return to home Artist Statement Artist Philosophy How can I unearth a new touch with the below, above, around and within? ‘My work’ is a response to the collaborations with artists, family, somatics, friends, strangers, scholars, theories, travels, lived and daily experience, experiencing everything as political. My work questions, then questions, and then rebels, suspends, then asks more questions The potential of merging aerial arts and media technologies is to re-find touch in our changing relationship with grief in a post-touch era. Blurring the lines between embodied and academic practices, my research explores the novel intersection of aerial arts and a critical media perspective to investigate the liminal spaces where humans engage with each other through technology. I have devoted the privilege of performance to spark potent conversations, breech the fourth wall, and now, to ultimately use my aerial practice as a methodology to critically engage with the social/technological/cultural structures in which it operates. My goal is to synthesize disparate discourses on touch with corporeal research to question the binary between the virtual and the physical. My meta-questions are: what is the essence of the etherization of bodies that happens in media and live performance that parallels death, and how can physical interaction counter isolation and nihilism in global communication? Perturbed by my apathy towards news stories involving grief, I use my studio as a workshop to develop physical responses to death and innovate performance experiences that invited the audience to physically engage with the performance. I sought two commonalities: 1). The ethereal body after death and how bodies become ethereal through media-screens; 2). The parallelism of the audience’s passive-consumption of artistic and news-media performance. The audience encountered a juxtaposition between live and phantasmatic bodies in order to reify a contiguity between tangible interactions and media projections—a reminder that bodies exist behind screens. I wrap myself up in aerial sling-fabric knots that fully hold my weight, which offer a comforting support that encourages me to feel the sensation of my skin compressed by the fabrics. Rather than dominating the fabrics with aesthetic intention, my body is responsive to the touch of the fabrics. I hover the ground, finding different treading possibilities and communications. Screens disjoint our contact in a similar way that the fourth wall performance structure does. Both artistic performance and the performance of communication inadequately connect individuals/communities: they are missing touch. But, what is touch and how is it evolving globally? My curiosity centers on how the fabrics can link separated individuals through synthetic touch, essentially dissolving fourth wall screens through tangible and metaphoric tethers. My body aims to unravel its “product-ness” of cultural, environmental and genetic writing. I metabolize my kinesthetic and theoretical curiosities through my corporeal laboratory, maintaining a particular fil rouge, which is the juxtaposition between the pleasure of suspension and how this practice relates, dismisses and confronts the phenomenological concept of “being in the world.” My ongoing struggle is understanding Art as both the most sacred approach to being in the world and the most privileged and disconnected act to what is happening near to me and around the globe. That is why I make within an ever-evolving process and I acknowledge it will change by the time I write these words through my body. In this space of constant shift, I have found my artistic curiosity. Metabolization of experiences Process over product Finding more choice Freedom is deceiving, but important Art is unknowable, undefinable, which teaches us openminded ways of connecting? The liminal space, navigating the unknown between audience and maker is Art Awareness and undoing of cultural, experiential and genetic writing Listening rather than dominate the space, collaborators, apparatus and audience Slowness to see what happens in the slow Fabrics provide synthetic tethers and touch lacking in human contact Sense sensations, especially unknown sensations Suspension ------ in the sensation of the body and timeDisorientation via floating, skimming the earth in sling, sling becomes unstable groundQuestion by encountering broad systems of knowledge Performance is an Exchange with audience, collaborators, materialsCollaborate to feel the multiplicities of an idea Non-static-ness Unfamiliarity permits space for indulging the unknow Synthetic touch Teaching Philosophy: (See Artist Philosophy) I teach how much I do not know, and what I am questioning. We exchange on this somatic journey together. return to home return to home Artist Statement Artist Philosophy How can I unearth a new touch with the below, above, around and within? ‘My... http://daniellegarrison.com/MFA-Thesis-Installation Tue, 12 Feb 2019 23:44:26 +0000 www.daniellegarrison.com 311468 return to home MFA Thesis InstallationUniversity of Colorado Boulder 2019 Photography: Mark Tulk <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/97de28550953d6ee0e1f80403437b6e1aaa8567add885ab3d4bfb1fe193313a9/EtheredTethered_012619_WEB_24_FC-copy.jpg" data-mid="644400" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/cdc3f0a5c74167636bfd39ce43f5b58551d4ce9220442472b968a1242788ed8b/EtheredTethered_012619_WEB_116_FC-copy.jpg" data-mid="644419" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/5ca5b5a467c3f9cf444bed78a382f533e572f7c729ad79f627c597dd32389b43/EtheredTethered_012619_WEB_97_FC-copy.jpg" data-mid="644416" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/bcb239a5d2c34e9961121101c07d5ef9d2ad4ccc81ea8e64464c444eb2594396/EtheredTethered_012619_WEB_87_FC-copy.jpg" data-mid="644415" border="0" /> <img width="1333" height="2000" width_o="1333" height_o="2000" src_o="https://cortex.persona.co/t/original/i/620def34580495f0e0e50ce38b16f88a2a78065d9c77f9297a39194b3f49366a/EtheredTethered_012619_WEB_78_FC-copy.jpg" data-mid="644413" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/b873987d41722079327d9cd0a6147cf66cd9da41aa78e753ec9242c3d35811fc/EtheredTethered_012619_WEB_35_FC-copy.jpg" data-mid="644405" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/42a7e14e832b0c348ab4c69a7479d6e04c4680ccdb2c8adbff9aff116297bf16/EtheredTethered_012619_WEB_82_FC-copy.jpg" data-mid="644412" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/767c98b32f746a2a0e1b8d62b3b68b545cf4d6a9cd595304d4ee9a7ca46082e4/EtheredTethered_012619_WEB_136_FC-copy.jpg" data-mid="644422" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/f0ae0a4157a3ad2bc6031e4551bc62093c27e883dcb52d1a52a5e05ae641fcef/EtheredTethered_012619_WEB_131_FC-copy.jpg" data-mid="644420" border="0" /> <img width="1333" height="2000" width_o="1333" height_o="2000" src_o="https://cortex.persona.co/t/original/i/07e280e69f8ffb7239ae9c5d8301007016e1342a4eb6ee860898e4d748493f41/EtheredTethered_012619_WEB_70_FC-copy.jpg" data-mid="644411" border="0" /> <img width="1333" height="2000" width_o="1333" height_o="2000" src_o="https://cortex.persona.co/t/original/i/1612973b3f9bb69b2a2e61b08b7fc89688598329ea39ea07d57b5e14be553150/EtheredTethered_012619_WEB_88_FC-copy.jpg" data-mid="644414" border="0" /> <img width="1333" height="2000" width_o="1333" height_o="2000" src_o="https://cortex.persona.co/t/original/i/5d678575b8b9a426b1b8855ecfd5fa1cba31d1cabe58396d3e16870c02917acc/EtheredTethered_012619_WEB_163_FC.jpg" data-mid="644426" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/6cc3ac5206c61d1e62ea244d0a1afa59d001c87ef6c48b8be59dff414615a21c/EtheredTethered_012619_WEB_175_FC-copy.jpg" data-mid="644429" border="0" /> <img width="1333" height="2000" width_o="1333" height_o="2000" src_o="https://cortex.persona.co/t/original/i/e28ee67590298eed6fc5ce6a62413acc282b8fff651339c9ea6df67a7883e01e/EtheredTethered_012619_WEB_28_FC-copy.jpg" data-mid="644403" border="0" /> <img width="1333" height="2000" width_o="1333" height_o="2000" src_o="https://cortex.persona.co/t/original/i/9620efb1285e4516149bf4d7adf5d396ff8fc284dfb4c103b76cdca9e2b5c90d/EtheredTethered_012619_WEB_56_FC-copy.jpg" data-mid="644409" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/2f6f18e26a6f538e56401283a02178dd2c916cc535eac8b25a9dd7a5a64c9173/EtheredTethered_012619_WEB_139_FC-copy.jpg" data-mid="644424" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/215de93f4f11ce42b95932cd6ed72d579d41c0d19b81ed24041042f1ac34ca3b/EtheredTethered_012619_WEB_216_FC-copy.jpg" data-mid="644433" border="0" /> Photography: Gretchen Laborwit <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/b0b5d31fbcea9c5960e47dd3267acf8e761af48b5b631d994caa33b4206bac11/LRG_DSC04016-copy-2.JPG" data-mid="644455" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/49593ca9db8913c5e32837028283f242e50f64e7c83a6f150afb4e8cae3138f2/LRG_DSC03978-copy.JPG" data-mid="644451" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/eaac7fa1e4a4298d8394586f61680f4e7ec2e90e896e3640d30fcdc6a40ed2ef/LRG_DSC03878-copy.JPG" data-mid="644444" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/ab95e32fd09e54c00fba280273b9c8528a7983359dca8d31219c4030f8d1b0c5/LRG_DSC03873.JPG" data-mid="644441" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/9491f7b78888f99bc943a45a443cd844353ebe432c22d73c2491092023b65b80/LRG_DSC03987-copy.JPG" data-mid="644459" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/1e5e2ae22e5ceb1b25a52ea2cab7e04c5b8648b1bd6577a5f603c4e4a58f3f14/LRG_DSC04007-copy.JPG" data-mid="644501" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/287dd32c2506e0c273ea10e9d34f2163b9e0478e01bed1548c95280d77f91453/LRG_DSC03958-copy.JPG" data-mid="644447" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/533115a9793536d84066421441e997ade4c742cb417637449e30e06af582fa4c/LRG_DSC03898-copy.JPG" data-mid="644445" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/81824ad05276fd2bb9c99c3272d813ab132252a9932cee4bb0b260a6c55ed4a8/LRG_DSC03951-copy.JPG" data-mid="644443" border="0" /> <img width="1616" height="1080" width_o="1616" height_o="1080" src_o="https://cortex.persona.co/t/original/i/57b4c7fb8b76d316c0f5b52cd1b12d959700d0f9ac23505b9c776d1517eb4fc1/LRG_DSC04020-copy.JPG" data-mid="644458" border="0" /> Photography: Ian Mcmorran&nbsp;<img width="2670" height="4000" width_o="2670" height_o="4000" src_o="https://cortex.persona.co/t/original/i/790c9edc7225e2b22438f99e2479fd4217e48a92b4d11e1a6dd89b62aa2e19e9/EtheredAndTethered-1.jpg" data-mid="644380" border="0" /> <img width="4000" height="2670" width_o="4000" height_o="2670" src_o="https://cortex.persona.co/t/original/i/e658e53e58e795fcb1704016ec15fac216047aecb0c885bc96d5608620252dee/EtheredAndTethered-13.jpg" data-mid="644381" border="0" /> <img width="2670" height="4000" width_o="2670" height_o="4000" src_o="https://cortex.persona.co/t/original/i/33a352a1ec5cf382458b608d787029ea8ecebbb1729cf183b85c895927512f5b/EtheredAndTethered-28.jpg" data-mid="644386" border="0" /> <img width="4000" height="2670" width_o="4000" height_o="2670" src_o="https://cortex.persona.co/t/original/i/1df69fd9b72f07dcf40598470825c73f601a6d27a4d5d05e55bbd00fb90d45be/EtheredAndTethered-22.jpg" data-mid="644384" border="0" /> <img width="4000" height="2670" width_o="4000" height_o="2670" src_o="https://cortex.persona.co/t/original/i/b2d5538b4d2a13b6f583911f60947be9c64e03695123023a6d436eab15230e24/EtheredAndTethered-34.jpg" data-mid="644387" border="0" /> <img width="4000" height="2670" width_o="4000" height_o="2670" src_o="https://cortex.persona.co/t/original/i/40d8ff90902f961a49bae4602d91904364a3fbcaf24798b3bd10797868aa9e8a/EtheredAndTethered-21.jpg" data-mid="644385" border="0" /> <img width="4000" height="2670" width_o="4000" height_o="2670" src_o="https://cortex.persona.co/t/original/i/086178a51523c0c07a08d545f3e5593837e0b738d4b7716811087fc03911d6f5/EtheredAndTethered-40.jpg" data-mid="644392" border="0" /> <img width="2000" height="1333" width_o="2000" height_o="1333" src_o="https://cortex.persona.co/t/original/i/11b19aad5eef8cb9f843e3e1d8553124af7c8f25f06aac08bf3891afdaa175bf/EtheredTethered_012619_WEB_51_FC-copy.jpg" data-mid="644407" border="0" /> Photography and interactive sculpture: Rebecca Deutsch<img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/91930b912e681d708147c80aeff9623e3b0c7c5d30e67c0d902d2a5b6bf77333/IMG_7400.jpeg" data-mid="644438" border="0" /> <img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/bf6a3579b48d880d35c56d16a3a5a0afe0ff1a032e4b2eef3130a76f87a5a5d8/IMG_7391.jpeg" data-mid="644432" border="0" /> <img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/40ff73e484db023fc4342666f101c1248a42060c10a25a9440688901945d178e/IMG_7428.jpeg" data-mid="644439" border="0" /> <img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/c61bc4ece41fe0fbdff341c793a7d93878da69ff787abb3db63328d6e901b149/IMG_7394.jpeg" data-mid="644437" border="0" /> <img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/2538498c657108ea208aaa363b348288db10b372ff9fe916a81c97da64a0bfc5/IMG_7435.jpeg" data-mid="644440" border="0" /> return to home return to home MFA Thesis InstallationUniversity of Colorado Boulder 2019 Photography: Mark Tulk Photography:... http://daniellegarrison.com/Performative-Writing-Examples Tue, 08 Jan 2019 20:11:11 +0000 www.daniellegarrison.com 305821 return to home&nbsp; Performative Writing Samples <img width="2040" height="2640" width_o="2040" height_o="2640" src_o="https://cortex.persona.co/t/original/i/4a3695960100d945eb2c5c1026c216979e0dd46bbbaa34052c2e47d4faf240fc/00001.jpg" data-mid="616409" border="0" data-scale="49"/><img width="2040" height="2640" width_o="2040" height_o="2640" src_o="https://cortex.persona.co/t/original/i/83b7ce9e755b02b895277224a27906879fedf0944d6654b3755fd045c469e5a3/00002.jpg" data-mid="616410" border="0" data-scale="49"/> <img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/7bde725be670663dc1fdff08bebad6693406d335475462531c3411bf01fa4905/haigood-interview.pages-01.jpg" data-mid="616412" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/7d7d40b4ced94b5420528ae4f3fb2c98d48c5ef6a3b1a7d09c85fe922f3b0f4c/haigood-interview.pages-07.jpg" data-mid="616415" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/2b41b5faa2f14b9c6ed404ed35ecb2f76a73a471a7543aa6fee5cadf586f7807/haigood-interview.pages-03.jpg" data-mid="616416" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/0f05bdf08480dbab306c3bf8af4b7cae1db7dd34868e7934ddda134e7d81c086/haigood-interview.pages-05.jpg" data-mid="616417" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/6b7ca955fed5b2e931ab1de0510b8e9f041e35426aa01964f508ea30ad78e4f2/haigood-interview.pages-06.jpg" data-mid="616414" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/7465776d8782c102e13e4ec61560c0e83053c72f1fea86272a47a30794ce5d63/haigood-interview.pages-10.jpg" data-mid="616418" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/1430270d36b30acd1fe4742996a54f36af7eb35e3b6c38f496cbba2d96b74911/haigood-interview.pages-11.jpg" data-mid="616419" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/fa02bcc6f879e0318a74608ad9578e5fb10b8a834076edfa23bc1692df99adba/haigood-interview.pages-04.jpg" data-mid="616420" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/298679d3dc4fe2ee9065395ea1a7356a9cc270e04224aa9a0f99cf85539175c7/haigood-interview.pages-08.jpg" data-mid="616421" border="0" data-scale="49"/><img width="1700" height="2200" width_o="1700" height_o="2200" src_o="https://cortex.persona.co/t/original/i/f3ad8698aba9b744fa725e7d4eb674c14cd9d502fd9512fa059b7551b2e4820e/haigood-interview.pages-02.jpg" data-mid="616422" border="0" data-scale="49"/>return to home&nbsp; return to home&nbsp; Performative Writing Samples return to home&nbsp; http://daniellegarrison.com/Still-Images Wed, 19 Dec 2018 22:42:33 +0000 www.daniellegarrison.com 303399 return to home&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;Choreography by Danielle Garrison <img width="1480" height="1920" width_o="1480" height_o="1920" src_o="https://cortex.persona.co/t/original/i/5cb8b71ea32c15aaf6e7156c0d96e6b14d56bbbdbbf429fa3e4dc582ff1237e9/28424818_10156226950764711_8812335577032043980_o.jpg" data-mid="606074" border="0" data-scale="100"/> <img width="1667" height="2048" width_o="1667" height_o="2048" src_o="https://cortex.persona.co/t/original/i/899c12c75f2b5e39753cca4148dfa290a98247fb5701eee11d25be6d1092d3f6/toulouse-photo.jpg" data-mid="606075" border="0" data-scale="100"/> <img width="1440" height="1440" width_o="1440" height_o="1440" src_o="https://cortex.persona.co/t/original/i/a390c90dda4fea2704cbaf44c86bbe2ac7045f2b89d27f05a627caaa1773d5be/Video-photo-toulouse.jpg" data-mid="606077" border="0" data-scale="100"/> <img width="6365" height="5079" width_o="6365" height_o="5079" src_o="https://cortex.persona.co/t/original/i/872e6b35fd344dd247aeae09779d248d26ed3dff0f649fb9238d1b8dcf01242d/toulouse.jpg" data-mid="608495" border="0" />TETHERED, collaboration with David Allen and Franck Gonnaud, 2016, 2017, 2018.&nbsp; <img width="1000" height="666" width_o="1000" height_o="666" src_o="https://cortex.persona.co/t/original/i/390ebc7344a9a79c52597fa27dd26c1bdfa0bf3f3dce92ff80b17eba9f96259e/fuse02_1000.jpg" data-mid="608493" border="0" /> <img width="1000" height="666" width_o="1000" height_o="666" src_o="https://cortex.persona.co/t/original/i/8e88d6f3d12fe7d8e2fdd7a6f317a34d58a0f6ac88533c7d543fbcdf2cc68910/fuse10_1000.jpg" data-mid="608494" border="0" /> <img width="1000" height="666" width_o="1000" height_o="666" src_o="https://cortex.persona.co/t/original/i/c04a702262e99863dc1c5fd6d15b2bd411c8317eabb71e34530f7c683f87fdba/fuse12_1000.jpg" data-mid="608492" border="0" />FUSE, collaboration with Britland Tracy, 2016. Hidden Violence in Relationships <img width="1520" height="2040" width_o="1520" height_o="2040" src_o="https://cortex.persona.co/t/original/i/e65c53ebb635c79f1ff24bdfa682ad15c0624d9496ba0cdada55859eae2a4bb1/42836284_10110182756975210_6708200726885040128_o.jpg" data-mid="616377" border="0" /> <img width="1512" height="2016" width_o="1512" height_o="2016" src_o="https://cortex.persona.co/t/original/i/b2428e4bd34274eed69f21718ad25c3ba9c213154b68995ff1945dcfe8e37a01/43100357_1927597720882226_4172324513452654592_o.jpg" data-mid="616376" border="0" /> Grief, Collaboration with Sculptor Rebecca Deutsch, 2018 <img width="3360" height="1890" width_o="3360" height_o="1890" src_o="https://cortex.persona.co/t/original/i/bc244e77798d9e2dadd05cf7b2385a474746a83ee48e24196551ed0c8178d1ea/Ghost-in-the-machine_13.jpg" data-mid="777900" border="0" /> <img width="1435" height="707" width_o="1435" height_o="707" src_o="https://cortex.persona.co/t/original/i/9afe0184ef63a3c03995b3178cd9de724f31ecb8c4ed54e65052b7438055188b/Danielle-PHD-Material-1.png" data-mid="611541" border="0" /> Ghost in the Machine, Leslie Levi and Laura Desimages, Paris 2018 <img width="5312" height="2988" width_o="5312" height_o="2988" src_o="https://cortex.persona.co/t/original/i/952ca83bc74f1b4c151b90f3db25110f0ddb355e82f9808ba3f832d4670d036c/20180515_174628.jpg" data-mid="612990" border="0" /> <img width="5312" height="2988" width_o="5312" height_o="2988" src_o="https://cortex.persona.co/t/original/i/7da1dac0f9b72a158f2c3117fe6363d25ddf8eeb049996b6c9b6587d5e1687a5/20180515_204030.jpg" data-mid="614119" border="0" /> <img width="5312" height="2988" width_o="5312" height_o="2988" src_o="https://cortex.persona.co/t/original/i/5152c7d2a4853e19aee222d4eab9ce0736011ee23fa41430f5d3823de36be4c2/20180515_1747031.jpg" data-mid="612903" border="0" data-scale="100"/> <img width="2560" height="1440" width_o="2560" height_o="1440" src_o="https://cortex.persona.co/t/original/i/475f33bff29fe5986349c5edbb76b0a8be0cf870071434e0042a773b627127bd/20180515_145928.jpg" data-mid="614120" border="0" /> <img width="5312" height="2988" width_o="5312" height_o="2988" src_o="https://cortex.persona.co/t/original/i/10df718444ec1d8b3997f990876e05197b16d616ddacab80c79731c8b64fef84/20180515_1810581.jpg" data-mid="612925" border="0" /> <img width="5312" height="2988" width_o="5312" height_o="2988" src_o="https://cortex.persona.co/t/original/i/d495e4500a7dbb6be251edb15baa89dfea503f6ea961a323babeaa88cdf12f80/20180515_1713381.jpg" data-mid="612906" border="0" /> <img width="5312" height="2988" width_o="5312" height_o="2988" src_o="https://cortex.persona.co/t/original/i/87949f30e7a6fd3458171eda072c0416940141bb2d282a3017d3d869370f2010/20180517_182159.jpg" data-mid="612943" border="0" /> <img width="5312" height="2988" width_o="5312" height_o="2988" src_o="https://cortex.persona.co/t/original/i/861277f89d1f11f09c8fea4b0078a5e0c551b98a47dd0bf676fe363d842da8ea/20180515_131301.jpg" data-mid="612935" border="0" /> La Grainerie Installation, Toulouse 2018 <img width="3840" height="5760" width_o="3840" height_o="5760" src_o="https://cortex.persona.co/t/original/i/ac9b635e477f320ef38ebe76a8d3f59a20087f7aa0369108b0fa6504ed353551/IMG_4740.JPG" data-mid="777170" border="0" /> <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/61bce877974ba0cfadd781243cbfc7ddab0b6193dede5e57b3e53debbdb451cc/IMG_4840.JPG" data-mid="777163" border="0" /><img width="3840" height="5760" width_o="3840" height_o="5760" src_o="https://cortex.persona.co/t/original/i/8082c2c9f12bac33eefb58baf6ae4965a61d0cdd26803c685db969fc2ccc63f4/IMG_4906.JPG" data-mid="777173" border="0" /><img width="3840" height="5760" width_o="3840" height_o="5760" src_o="https://cortex.persona.co/t/original/i/74a3f61f6c77c212fe8cebd4412c83ca579e26009b4dcff54e62a1c79c7b7352/IMG_4750.JPG" data-mid="777171" border="0" /><img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/68a890231d86071ec1e052ff195d39fc48c5b8e014bb6453318a36067ac3f551/IMG_4919.JPG" data-mid="777165" border="0" /> Foreign Corps(e), ADF 2019 <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/75fe7502cc7c0c59996ff6c98c1c28d37842696be3cb2af0403c432e92b82f08/674A0264.JPG" data-mid="608511" border="0" /> <img width="1280" height="1920" width_o="1280" height_o="1920" src_o="https://cortex.persona.co/t/original/i/727e619df903baefa270da8125279047fece9c16cb8c0360d1a7862d9ddf281e/39148093_10110005069671990_5350574642794856448_o.jpg" data-mid="608502" border="0" /> <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/c28d8b66df181b1391a192b99d4124f7002aae2d369f5e6df5572943717cfb85/674A0369.JPG" data-mid="608499" border="0" /> <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/ada7d4f402793023dad90daaed8ae134e040fbbb894590ea551e036996db1841/674A0278-1.JPG" data-mid="608517" border="0" /> <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/9f55eb5492386d7c902810e9724cf513508095487bfc8b58348ea1bafe512b3a/674A0321.JPG" data-mid="608506" border="0" /> <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/57a6a4d8161891b788b2d84921839fb76fbf2a47d64bea9ebbd29f9caa96d878/674A0357.JPG" data-mid="608509" border="0" /> <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/53d5f5059a1f3088eef97afaee04f10f3c5ecb0fec04ddad45b0d8828c07bd06/674A0282.JPG" data-mid="608520" border="0" /> <img width="5760" height="3840" width_o="5760" height_o="3840" src_o="https://cortex.persona.co/t/original/i/eabf050b9af6e39144969075448a878a6d3d2cc69860dcdf2a425e696e177308/674A0359.JPG" data-mid="608507" border="0" /> INTERPOLATION, David Andrews, 2018Trying to hold on to sensation while twilight is looming, and here, the individual suspends in a world falling away. <img width="1365" height="2048" width_o="1365" height_o="2048" src_o="https://cortex.persona.co/t/original/i/d93b0b94c6532a080e6c59f0a88d7543816139d80293a6bd7e21b8319dad40d3/towardthelight_webres-56.jpg" data-mid="608497" border="0" />LIMINAL, Nina Reed, 2017<img width="550" height="367" width_o="550" height_o="367" src_o="https://cortex.persona.co/t/original/i/c01bd4388ab164df34eea7e4a24f0280a99786c78958cae3b132879acc6c561e/lido-1.jpg" data-mid="609962" border="0" /><img width="550" height="367" width_o="550" height_o="367" src_o="https://cortex.persona.co/t/original/i/01f9f053882cae5e44935817b56a3f0e44998d5794e2ee51c39507fca1148a38/lido3.jpg" data-mid="609963" border="0" /> <img width="550" height="367" width_o="550" height_o="367" src_o="https://cortex.persona.co/t/original/i/4f79b264b4cc797b755fae53ba20b4a4f541e3b295c962dbfbc4a599009a0fcf/lido2.jpg" data-mid="609961" border="0" /> <img width="2048" height="1365" width_o="2048" height_o="1365" src_o="https://cortex.persona.co/t/original/i/ada0169868f99a45520c4a9a6a81d8a00d3f99112b2f6d34561dfe47443ad941/29261095_1844022162288179_4609544530553733120_o.jpg" data-mid="609960" border="0" /> <img width="2048" height="1365" width_o="2048" height_o="1365" src_o="https://cortex.persona.co/t/original/i/0319cbea64a9fb385a2bee95365ea19b4396c36c2559a8669428afa39813b590/29249127_1844025168954545_983174046197743616_o.jpg" data-mid="609959" border="0" /> <img width="2048" height="1365" width_o="2048" height_o="1365" src_o="https://cortex.persona.co/t/original/i/2e83ab8a9e1463ed7c94d1eea0f6e09fa75a71804daf1c4416cb5ec35881ce1c/29216161_1844025188954543_6622606027290312704_o.jpg" data-mid="609958" border="0" /> <img width="367" height="550" width_o="367" height_o="550" src_o="https://cortex.persona.co/t/original/i/5b8a73adb27e1829f0ee013e8ba6d01ab85f8a288e62bb86db979484774a0234/lido6.jpg" data-mid="609965" border="0" /> <img width="367" height="550" width_o="367" height_o="550" src_o="https://cortex.persona.co/t/original/i/4b1a037f3c594711e6f43a74265eb30b89798829a3927c01500d7df33b76345f/lido12.jpg" data-mid="609971" border="0" /><img width="367" height="550" width_o="367" height_o="550" src_o="https://cortex.persona.co/t/original/i/2ce528ff12f49f7f2a479b18f835259230adeed793ece7168d09f42d326611b3/lido13.jpg" data-mid="609972" border="0" /> <img width="550" height="367" width_o="550" height_o="367" src_o="https://cortex.persona.co/t/original/i/0bb3406859af7764f112af8cff45a106dfa7cc2c0cc3fefedc8bb0a0148e03bc/lido5.jpg" data-mid="609967" border="0" /> <img width="2048" height="1365" width_o="2048" height_o="1365" src_o="https://cortex.persona.co/t/original/i/94b02f908f842dd7dcdf536c7df9db534b432f0d6b4d0840e8ae39bd2f7058d1/29215972_1844025222287873_4900170145541914624_o.jpg" data-mid="609957" border="0" /> Les Essais du Cirque,&nbsp;Circusögraphy, 2018 <img width="640" height="960" width_o="640" height_o="960" src_o="https://cortex.persona.co/t/original/i/0d72aa1b1bc90b669a20d9c76d0997921ed8dda5a4595117dc597fe5738afa12/17103342_10212203580755619_2163156211199541393_n.jpg" data-mid="608498" border="0" />TRANINSIENT, Nina Reed, 2015 <img width="641" height="960" width_o="641" height_o="960" src_o="https://cortex.persona.co/t/original/i/4d2795cfe074284b3e13c8172dd09b66b4e30400573d148d4d629b33c84fd116/bird-house-Preston-Newell.jpg" data-mid="608501" border="0" />BIRDHOUSE, Preston Newell, 2014 <img width="1296" height="864" width_o="1296" height_o="864" src_o="https://cortex.persona.co/t/original/i/44b3cb3fb8436d6573005f7f0438076d94f4766b23918415c4af3303be9c82ad/Santa-Barbara-2016.jpg" data-mid="608500" border="0" />Velvet Cruize, Ninette Paloma, 2016 <img width="479" height="720" width_o="479" height_o="720" src_o="https://cortex.persona.co/t/original/i/180031692d1795e358e84f6094e500d884a07fc296c2bd18391ac724eac8fc66/Danielle_Garrison_UnEarthed2.jpg" data-mid="608531" border="0" />UNEARHTHED, Eddy O, 2012 <img width="475" height="596" width_o="475" height_o="596" src_o="https://cortex.persona.co/t/original/i/49eb8909ffbbf2fb1c76f3e252e2125ac14708f2c8ec25c1dd3fcd11fb6a89df/Danielle_Garrison_UnEarther.jpg" data-mid="608530" border="0" />GARDEN OF SOULS, EDDIE ENG, 2011 <img width="1363" height="2048" width_o="1363" height_o="2048" src_o="https://cortex.persona.co/t/original/i/59d5d7f244d67cee69c2163e7bb9b4cdd43ed752a39689c2e743a722a069b782/279726_10100784706114470_6828583_o.jpg" data-mid="608527" border="0" /> UNEARTHED, Eddie Eng, 2011 <img width="479" height="720" width_o="479" height_o="720" src_o="https://cortex.persona.co/t/original/i/170f2436c40d2eb135f46b10eefcee23e0fbe30ba9c7b6025a30d81bbb81d22b/lyra-duet.jpg" data-mid="608529" border="0" />INVISIBLE WEB, Chloe Jensen, 2010 <img width="1200" height="1807" width_o="1200" height_o="1807" src_o="https://cortex.persona.co/t/original/i/117e8eebeff3d933f356d3192781cf416878f12ff60eeaed6ac3a1eb9a0a16e6/satya.jpg" data-mid="608526" border="0" />GARDEN OF SOULS, Chloe Jensen, 2010 <img width="479" height="720" width_o="479" height_o="720" src_o="https://cortex.persona.co/t/original/i/9c4f1faadda312f223bc5daf3a10db73bc54484fa1ff500b5852fbff4a61af84/lyra-photo-shoot.jpg" data-mid="608528" border="0" />STUDIO, Jeb Jensen, 2009 return to home return to home&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp;Choreography by Danielle Garrison TETHERED, collaboration with... http://daniellegarrison.com/Moving-Images Wed, 19 Dec 2018 22:36:51 +0000 www.daniellegarrison.com 303395 return to home&nbsp; &nbsp; Selected Works, Choreography by Danielle GarrisonTethered 2018 Foreign Corps(e) 2019 Ethered &amp; Tethered: a liminal space 2019 Interpolation in the Blue Hour 2018 Les Essais 2018 Ghost in the Machine, Drone Hunt DEMO, Full VR release Paris May 2018&nbsp; Liminal 2017 Re-Renaissance 2016 Trained 2015 Danielle Garrison "Velvet Cruise" Aerial Dance from Teahm Beahm / Digabyte on Vimeo.Velvet Criuse 2014return to home return to home&nbsp; &nbsp; Selected Works, Choreography by Danielle GarrisonTethered 2018 Foreign Corps(e) 2019 Ethered &amp; Tethered: a liminal space... http://daniellegarrison.com/Home-Page Mon, 17 Aug 2015 23:34:03 +0000 www.daniellegarrison.com 302939 Welcome Traveler... &nbsp; &nbsp;here are some pieces for me to&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;share &nbsp; &nbsp; with you Danielle's artistic-academic research centers on her original practice, Tethering — a consent-based horizontal aerial fabric methodology developed since 2011 and formally named in 2016. By reorienting vertical fabric into a horizontal plane, Tethering dismantles traditional aerial power hierarchies and opens a somatic space for consensual, embodied encounter where the fabrics act as touch-extension, mediating connection between participants. Consent in Tethering is not a static formality but a living practice rooted in nervous system awareness and Polyvagal Theory: each phase of the heartbeat serves as a guide, inviting participants to navigate a full spectrum of relational expression while honoring difference in how bodies meet and move together. The practice asks a fundamental question: who gets to do aerial, and how? Currently, Danielle is a PhD candidate in Dance research-creation at Concordia University (Montréal) and the University of Montpellier (France), and a four-year Fulbright Specialist artist. Her doctoral committee includes Angélique Willkie, VK Preston, Erin Manning, and Alix de Morant Wallon. During her MFA in Dance at the University of Colorado Boulder, Danielle received a Fulbright research grant to France, pursuing creative research at the intersection of somatics, aerial arts, dance, cirque, and media arts — asking how we might connect and heal the heart while in grief. Recent aerial residencies include Mondes Visuels (Chalon), Zepetra (Montpellier), SenseLab and Milieux (Montréal), Nils Obstrat (Paris), and SBCAST (Santa Barbara Center for Art, Science and Technology). Danielle has worked as a multifaceted artist for Aerial Dance Chicago, the Joffrey Ballet, the Colorado Ballet, Frequent Flyers®, and the Paloma Project, and has performed and taught at the international Frequent Flyers Aerial Dance Festival, Les Rencontres de Danse Aérienne (Nantes), the Berlin Circus Festival, the Santa Barbara Floor to Air Festival, Aerial Greece, and the San Francisco Aerial Dance Festival. Her artistic and academic work has taken her to Paris, Berlin, Athens, Brussels, Amsterdam, Toulouse, Lyon, Avallon, Nantes, London, Brighton, Lisbon, Florence, Barcelona, Madrid, and Seville, as well as throughout the U.S. Tethered (2017), a dance film made in residency at La Grainerie (Toulouse) in collaboration with art photographer David Allen and experimental filmmaker Franck Gonnaud, was screened at the Sans Souci Festival of Dance Cinema. In 2020, Danielle co-created Aerial Reflexionando — a virtual aerial arts colloque — with Ana Prada, to support critical exchange on contemporary aerial arts in the Americas. Danielle K. GarrisonArtist/Scholar contact me: dgarrison22@gmail.comResearch-Creation Performance, Montreal (live tethering dance and digital composition to real-time bopmetric heartbeats):&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; Heart Tethers &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;PORTFOLIO &nbsp; &nbsp; SELECTED WORKS REEL &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; MOVING IMAGES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;STILL IMAGES &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; HEADSHOT&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Video footage by Cattelan Yvan &nbsp; filmed at Le Lido Toulouse, France Welcome Traveler... &nbsp; &nbsp;here are some pieces for me to&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;share...